
Iceland, Iceland, baby.
Daníel Ágúst - Swallowed A Star
[2.5/5] Daníel Ágúst, co-founder of Icelandic people-movers GusGus, uses his solo debut to shed the "life of the dance floor" dandy and embrace the intimate singer-songwriter within, replete with the requisite string orchestration and a hushed vocal delivery. And while the veneer of class and sophistication is consistent throughout-and downright elegant on "The Moss" and "The Gray"-it's almost too delicate to resonate. The economical storytelling, most glaringly on "Nobody Else," possesses neither the propulsive drive nor the melodic sensibilities of his former day job. Ágúst doesn't have the freak-of-nature pipes like, say, Iceland's national thrush Björk to push the tracks above pleasantly pedestrian, to soar instead of merely hovering. Repetition and parsimony in electronic music often produces hypnotic results, but when the room gets smaller, it builds all the wrong kinds of tension. (ONE LITTLE INDIAN) Erick Haight
Official Website: http://www.onelittleindian-us.com
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Also in this issue:
- Good Charlotte
- The Queers
- Bayside
- The Boils
- Ted Leo And The Pharmicists
- Nothington
- Big D And The Kids Table
- Relient K
- Signal To Noise
- Sounds Like Violence
- Explosions In The Sky
- Aereogramme
- Air
- Arcade Fire
- Aqualung
- Between The Trees
- Clair De Lune
- Daphne Loves Derby
- The Nein
- Seafood
- Maria Taylor
- Comeback Kid
- Alabama Thunderpussy
- Autonym
- Big Business
- Daggermouth
- The End
- The Handshake Murders
- Life In Your Way
- Otep
- Since The Flood
- xDEATHSTARx
- Lovedrug
- Jesse Malin
- The Agency
- Call Me Lightning
- The Higher
- Kaddisfly
- Kingfield
- RTX
- Son Volt
- Southern Culture On The Skids
- The Stooges
- RJD2
- !!!
- Dälek
- Brother Ali
- LCD Soundsystem
- Skinny Puppy
- Other sections...




























[2.5/5] Daníel Ágúst, co-founder of Icelandic people-movers GusGus, uses his solo debut to shed the "life of the dance floor" dandy and embrace the intimate singer-songwriter within, replete with the requisite string orchestration and a hushed vocal delivery. And while the veneer of class and sophistication is consistent throughout-and downright elegant on "The Moss" and "The Gray"-it's almost too delicate to resonate. The economical storytelling, most glaringly on "Nobody Else," possesses neither the propulsive drive nor the melodic sensibilities of his former day job. Ágúst doesn't have the freak-of-nature pipes like, say, Iceland's national thrush Björk to push the tracks above pleasantly pedestrian, to soar instead of merely hovering. Repetition and parsimony in electronic music often produces hypnotic results, but when the room gets smaller, it builds all the wrong kinds of tension. (ONE LITTLE INDIAN) Erick Haight
Official Website: 
