
Metalcore grows on trees in New England; sadly, trees are boring.
Since The Flood - No Compromise
[1.5/5] Comedian Brian Posehn must have had Since The Flood in mind when he penned "Metal By Numbers." No Compromise, the sophomore outing from the New Hampshire five-piece, has everything it is supposed to have, including mookish monotone vocals paired with lyrics about how truly underwhelming everything and everybody around singer Chuck Bouley happens to be; gang choruses that only sound good when careening around in a mosh pit or as a soundtrack to some YouTube street fight clip; and riffs Hatebreed stopped using 10 years ago. No Compromise is compressed and overly produced in a manner that puts the vocals and percussion right upfront, as if the band were conceding that bludgeoning is their business, and business is fine. Maybe it is, or maybe Since The Flood didn't get the memo that just grimacing to music isn't good enough anymore. (METAL BLADE) Brian O'Neill
Official Website: http://www.metalblade.com
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Also in this issue:
- Good Charlotte
- The Queers
- Bayside
- The Boils
- Ted Leo And The Pharmicists
- Nothington
- Big D And The Kids Table
- Relient K
- Signal To Noise
- Sounds Like Violence
- Explosions In The Sky
- Aereogramme
- Air
- Arcade Fire
- Aqualung
- Between The Trees
- Clair De Lune
- Daphne Loves Derby
- The Nein
- Seafood
- Maria Taylor
- Comeback Kid
- Alabama Thunderpussy
- Autonym
- Big Business
- Daggermouth
- The End
- The Handshake Murders
- Life In Your Way
- Otep
- xDEATHSTARx
- Lovedrug
- Jesse Malin
- The Agency
- Call Me Lightning
- The Higher
- Kaddisfly
- Kingfield
- RTX
- Son Volt
- Southern Culture On The Skids
- The Stooges
- RJD2
- !!!
- Daníel Ágúst
- Dälek
- Brother Ali
- LCD Soundsystem
- Skinny Puppy
- Other sections...





























[1.5/5] Comedian Brian Posehn must have had Since The Flood in mind when he penned "Metal By Numbers." No Compromise, the sophomore outing from the New Hampshire five-piece, has everything it is supposed to have, including mookish monotone vocals paired with lyrics about how truly underwhelming everything and everybody around singer Chuck Bouley happens to be; gang choruses that only sound good when careening around in a mosh pit or as a soundtrack to some YouTube street fight clip; and riffs Hatebreed stopped using 10 years ago. No Compromise is compressed and overly produced in a manner that puts the vocals and percussion right upfront, as if the band were conceding that bludgeoning is their business, and business is fine. Maybe it is, or maybe Since The Flood didn't get the memo that just grimacing to music isn't good enough anymore. (METAL BLADE) Brian O'Neill
Official Website: 
